...Music and Stuff...Adrian Howe...: motown

The Four Tops.

The Four Tops are an American vocal quartet from Detroit, Michiganwho helped to define the city's Motown sound of the 1960s. The group's repertoire has included soul music, R&B, disco, adult contemporary, doo-wop, jazz, and showtunes.

Founded as The Four Aims, lead singer Levi Stubbs (born Levi Stubbles, a cousin of Jackie Wilson and brother of The Falcons' Joe Stubbs), and groupmates Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together for over four decades, having gone from 1953 until 1997 without a change in personnel.

The Four Tops were among a number of groups, including The Miracles, The Marvelettes, Martha and the Vandellas, The Temptations, and The Supremes, who established the Motown Sound around the world during the 1960s. They were notable for having Stubbs, a baritone, as their lead singer, whereas most male/mixed vocal groups of the time were fronted by a tenor.

The group was the main male vocal group for the highly successfulsongwriting and production team of Holland–Dozier–Holland, who crafted a stream of hit singles on Motown. These included twoBillboard Hot 100 number-one hits for the Tops: "I Can't Help Myself (Sugar Pie Honey Bunch)" in 1965 and "Reach Out I'll Be There" in 1966. After Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to a number of producers, primarily Frank Wilson, but generally with less success.

Saturday, 8 March 2014

Marvin Gaye.

Marvin Gaye (April 2, 1939 – April 1, 1984), born Marvin Pentz Gay, Jr., was anAmerican singer-songwriter and musician.

Gaye helped to shape the sound of Motown Records in the 1960s with a string of hits, including "How Sweet It Is (To Be Loved By You)" and "I Heard It Through the Grapevine", and duet recordings with Mary Wells and Tammi Terrell, later earning thetitles "Prince of Motown" and "Prince of Soul". During the 1970s, he recorded theconcept albums What's Going On and Let's Get It On and became one of the first artists in Motown to break away from the reins of its production company. Gaye's later recordings influenced several R&B subgenres, such as quiet storm and neo-soul.